Monthly Archives: July 2013

Puffery: It’s Not Just For Pastry

“Puff the magic dragon lived by the sea and frolicked in the Autumn mist in a land called Honolee.” Puff The Magic Dragon by Peter, Paul, and Mary

I love satellite radio, although I was late to the party. I resisted taking the plunge, figuring that the programmers at XM/Sirius couldn’t approach, much less duplicate, the eclectic, genre-bending variety provided by my favorite terrestrial station, WXPN in Philadelphia (which I enjoy in D.C. courtesy of the Internet). But when my trusty car expired, I replaced it with a new model that came with a free trial subscription to Sirius/XM. I took me less than the ride home from the dealership to be hooked. Sure, each station might play a limited range of music–but the sheer variety of music across the Sirius/XM spectrum is mind-blowing, not to mention all the news, sports, comedy, and last but not least, Howard Stern. On any given commute, I can be serenaded by old stalwarts like Crosby, Stills, and Nash and Neil Young, their modern-day progeny such as Dawes, Fleet Foxes, and Deer Tick, old-school and Outlaw country from Willie, Waylon, Merle, and McMurtry, and, of course, Elvis, Sinatra, The Boss, The Dead, and Pearl Jam, all of whom have channels devoted to them.

What does any of this have to do with Softrights? Not much I confess. But the other day, while flipping through the satellite dial, I alighted on Peter, Paul, and Mary wistfully singing “Puff The Magic Dragon.” Since I hadn’t heard it in years, I left the station on while my mind absorbed the story of little Jackie and his faithful dragon Puff. Soon, however, my mind began wandering, and as it often does, it wandered far afield, in this case, from Honolee to IP. Yes, Puff the Magic Dragon got me thinking about advertising law, and the concept know as “puffery.”

What is puffery? In ordinary parlance, the word conjures up someone inflating his or her chest while inflating the truth. As a legal term, “puffing” means pretty much the same thing–referring to statements so obviously vague, unrealistic, silly, exaggerated, boastful, or matters of opinion that no reasonable consumer would believe them. An ad that touts something as “better”, “best”, “the greatest”, and “finest” typically signals puffery. Or when an ad uses slippery terms like “helps”, “can be”, “fights”, and “tastes like,” it’s usually a sign that puff is sure to follow.

So what’s the significance of calling an ad puffery? Well, an ad that nobody believes or takes seriously cannot be considered false or misleading and thus should be immune from liability under the Lanham Act and state laws that prohibit false and misleading advertising.

But when it comes to IP law, there’s often a rub. One person’s “puffery” can often be someone else’s falsehood and can provoke a lawsuit. And indeed, the casebooks are replete with court decisions where Solomonic judges and juries have been called on to separate the false advertising wheat from the puffery chaff (or vice versa). And so, these claims have sparked lawsuits, even though all were eventually found to be puffery, not misleading: advertising a computer accessory as “redesigned and improved”; the slogans “AMERICA’S FAVORITE PASTA” and “Better Ingredients, Better Pizza”; Blue Cross/Blue Shield’s claim that its health coverage was “better than” a health maintenance organization; advertising a computerized chess game as “new” and “new technology” and “like having Karpov as your opponent”; Claiming “unprecedented clarity” in a laboratory computer imaging device used to study cells to detect cancer; Abercrombie & Fitch’s claim “Our most original pant since 1892 … Pure Abercrombie & Fitch design and fit”; the claim that Speedo suits help swimmers compete at the highest level; promoting POWERADE as “The Complete Sports Drink” ; and claims that HUGGIES diapers had a “natural fit” and “fit more naturally.” Each of these claims ultimately was found to be innocuous, benign, harmless, hyperbole, subjective, or mere opinion. But the advertisers had to put up a legal fight to defend these boastful ads.

So what’s an advertiser to do? For one thing, make sure you can prove any specific, verifiable claims about product performance or capability. And if your goal is to achieve “puffery” status, go big with your hyperbole, or be prepared to go to court.

QUOTE OF THE DAY: “The deepest thing in any one is the conviction of the bad luck that follows boasting.”
Gertrude Stein

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Onward Trademark Soldiers? Newsboys Cannot Stop the Rap Music

“Lately I’ve been thinking / What would the world do without the news / You wouldn’t know when wars were started / Or when they ended, win or lose.” Newspapers by Stan Ridgway

Yesterday’s IP blogosphere brought news of another battle of the bands involving trademark rights. Christian rockers the Newsboys did not turn the other cheek when they discovered a rap duo performing as New Boyz. They sued. And they lost. Bigtime. Oh, the Newsboys got their day in court all right, but it lasted just about one day, with the judge tossing the complaint as legally deficient. The Newsboys claimed that the rappers’ name New Boyz would confuse and confound the music buying audience. They railed that the New Boyz songs were sexually charged. They pointed to their own 1991 album title “Boys will be Boyz” as evidence that the groups’ names were too close for comfort. And the band that had honed its reputation in the realm of Christian Rock insisted that their music was not just for the religious set; they claimed “cross-over” appeal to the same “demographic” that listens to and downloads New Boyz allegedly salacious songs.

But the secular audience who mattered–the judge–was not buying it. He granted the New Boyz’s motion to dismiss the trademark infringement charges as implausible, concluding that the Newsboys’ “factual allegations of customer confusion do not include any factual allegations of confusion about the source of each band’s marketed music.” Influencing the court’s ruling was the focus of the Newsboys’ federal trademark registration–“live musical performances of a religious nature.” The two groups market their music to two distinctly different crowds, making the Newsboys claims of confusion and damage to reputation apocryphal, according to the court. In short, the judge hewed to the ancient adage “live and let live,” and stopped the trademark fight on a TKO–failure to plead enough facts to get to round 2.

This case joins a line of music themed trademark cases allowing similar names to coexist when used for different genres. Perhaps the granddaddy of all is Sunenblick v. MCA Records, Inc., 895 F. Supp. 616 (S.D.N.Y. 1995), aff’d, 101 F.3d 684 (2d Cir. 1996): where the jazz record label Uptown Records lost its trademark battle against popular rap record label Uptown, with the court concluding that the urban music geography was big enough for two Uptowns.

And of course, we only have to scan the bins of the few remaining brick and mortar record stores to see that bands with similar names often coexist without sparking nasty trademark battles. Pop-rocker Bryan Adams rubs shoulders with Alt. Country Rocker Ryan Adams, while The Who and The Guess Who have played in peace for nearly six decades.

So, while the ending of the Newsboys’ story may seem abrupt, the result, at least for now, seems to be in tune with history. If there’s a moral to the story, it may be this, it’s one thing for a band to claim that its music has crossover appeal, it’s another thing to prove it.

QUOTE OF THE DAY: “In the case of news, we should always wait for the sacrament of confirmation.” Voltaire

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Annals of Trademarks: Super 8 Superates?

Annals of Trademarks: Super 8 Superates?.

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Annals of Trademarks: Super 8 Superates?

“Don’t Want to Die in a Super Eight.” “Super 8” by Jason Isbell

Like me, you’ve probably driven by hundreds of Super 8 motels in your lifetime. Travelling up I-95 for hours on rides to Jersey and New York or on longer hauls southward to the Carolinas, Georgia, and down the endless Florida coast, the rectangular sign with big red 8, black “Super,” and bright yellow background is hard to ignore, even as it blends in with the melange of fast food oases and other budget-conscious lodges that dot the interchanges and byways of our endless ribbons of highway.

Full disclosure–I’ve never stayed at a Super 8 Motel. Never given the place much thought, really. Not because I’m some kind of snob when it comes to accommodations. Sure, I enjoy a swanky room at a Ritz Carlton or Monaco hotel. But I’m equally at home at a Motel 6, where Tom Bodett leaves the light on for us, or at a Holiday Inn, my parent’s motel of choice for our occasional family junkets. I’ve even stayed at a few La Quinta’s, which one of my musician friends, (who’s seen the inside of many a motel), insists means “next to Denny’s.” Somehow, however, my travelling stars and terrestrial GPS never aligned to guide me into the parking lot of a Super 8.

But last night, while drifting off to sleep with Jason Isbell’s evocative new song “Super 8” from his magnificent album “Southeastern” (buy it!), something about the name of this hotel hit me like an epiphany. I’d always assumed that Super 8 referred to the price of renting a modest room at one of the chain’s humble properties. And indeed, Wikipedia reports that the fare at the first Super 8, in Aberdeen, South Dakota, was $8.88 per night. With that price, and with its reputation for clean, no-frills convenience, it’s no surprise that Super 8 took off like a Chevy stock Super Eight zooming down the roads of Jersey, as in Bruce Springsteen’s “Lost In The Flood” from “Greetings From Asbury Park.” I had no idea, however, that Super 8, which now is owned by Wyndham Hotels, is the world’s largest motel chain. And while listening to Mr. Isbell lament that he “don’t want to die in a Super 8,” I suddenly realized why the name makes sense. Super 8, you see, is a play on the word “superate,” a verb that means “to outdo; to surpass; to exceed.” And with more than 2,000 properties and over 125,000 rooms in the US and Canada, there’s no denying that Super 8 Motels, (now known as Super 8 Worldwide) truly has done precisely as its name suggests.

QUOTE OF THE DAY: “I know bad things happen. Bad things happen. But you can still live. You can still live.” Line from the movie “Super 8,” spoken by character Joe Lamb, played by actor Joel Courteney.

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